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Monday, 12 April 2010

We are Tiger Woods?

'Moral indignation is jealousy with a halo' - H. G. Wells

Wells would have had great empathy, one suspects, with Tiger Woods. A man not known for his fidelity, the author was in his time able to live his life free nonetheless from the glare of the celebrity gossip sites, the tabloid magazines and the talk shows which so frame public consciousness today. It is the irony of today's society that, as public standards of morality have arguably reached their lowest ebb, the level of scrutiny and, indeed, moral indignation levelled at those in the public eye has never been higher. Just 12 years ago, the President of the USA could admit to 'personal indiscretions' of a similar nature and yet expect (and indeed be granted) a modicum of privacy and his family sensitivity. Today those considerations have simply ceased to exist.

Saturday, 27 March 2010

When music was music


What would happen if four of the world's most talented musical virtuosos came together, armed with the latest in musical technology? Surely you would find the 'music of the future'?

Such simple intention was embryonic of U.K. As hard as it is to believe today, thus was also, in 1977 as the men worked together in the studio, the primary marketing tool. Four alchemists at work in the lab, developing something never before experienced. Music fans were told simply that four pre-eminent players, namely Bill Bruford of Yes, King Crimson and latterly Genesis, Eddie Jobson of Roxy Music and Zappa, John Wetton of King Crimson and Uriah Heep, and Allan Holdsworth of just about every jazz-prog group that had ever existed had joined forces (no one cared about the record company jiggery-pokery involved) with this one single intention.

Not to have fun. Not to send out some political message. Not under the auspices of charitable fundraising. This was about creating music that would change perceptions of what was possible, about giving four of the finest 'popular' musicians who have ever lived the opportunity to flex those chop muscles. What an intention. What a desire. What a result. Punk killed prog? Don't you believe it.

Monday, 22 March 2010

Teignmouth Electron


There are people whose life stories take on for us a special significance. A biography, an obituary can be read, considered and then discarded; the subject's being having no impact on our own. But when that person takes hold of us in some way, moves us, threatens to change us, then the impact is far more significant; rather, it is transcendental and, by turns, often unnerving.

Donald Crowhurst was born in British India in 1932, and was acquainted through his parents with not only a declining Empire, but the declining fortunes of those who had drawn from it. He saw himself as significant, but led a life which was so only to himself and those closest to him, until announcing his participation in the inaugural 'Golden Globe' Round the World Yacht Race. This was to be his Everest, his Moon landing, his vindication.

His story well documented, Crowhurst can easily be dismissed as cowardly cheat, at best a sad victim of conscience without outlet. That his actions played at least some part in driving a fellow competitor to capsize, obsession and ultimately suicide adds another layer to the tragedy, and perhaps further weight to the scales of judgement. But the same obsessional, introspective, significance-seeking characteristics which so drove him onto and into the sea drive others to consider him in a different light. His expressed desire pre-race to 'impart a great message' to the world is one the current Internet Age shows us to be shared by many, who resent the pre-determined role assigned to them by 'society' and long that their personal uniqueness be recognised on a wider scale. That so many in our world today seem happy to accept the scraps offered to them by a media-driven consumerism and consumer generator is particularly galling, to those who would view the ocean as canvas upon which to paint their masterpiece were the finish line not, like Crowhurst's, a final judgement they could not, or indeed cannot, face.

That Crowhurst knew not where to turn in order for his conscience to be cleansed is, to this Christian reader, the most poignant part of the story. As moving as the images of a rotting Teignmouth Electron are, they say little other than to emphasise how uncomfortable humankind is with those who play neither the part of hero nor villain, but rather that of window into the areas of the human soul that many would prefer not to recognise, or even acknowldege.

The Race was ultimately 'won' by the now-lauded Robin Knox-Johnston, in his heralded vessel Suahli which now fittingly rests in the National Maritime Museum. It also drew several other men whose lives would come in some way to be defined by the race, or rather whose characters' would further mythologise it and provoke horror, pity, fascination and admiration from those who would come to be touched by them.



This post was inspired by Peter Nichols' wonderful A Voyage For Madmen, which I would recommend wholeheartedly. Crowhurst's voyage has also inspired films, artworks and even an opera, Ravenshead.

Sunday, 28 February 2010

It's a long way from Sincil Bank...

... To the Emirates.

Wednesday, 17 February 2010

My fashion philosophy

Monday, 15 February 2010

The Tram Twitcher's Guide To The Fallacy

Posted by 'Anna Thema', Edinburgh Evening News online comments 15/02/10.

Deep below the Royal Mile, two councilors have programmed their supercomputer to find a solution to the tram project's onging schedule and budget problems.

Topdeck: Oh great computer, have you an answer for us?

Cheap Thought: AN ANSWER? AN ANSWER TO WHAT?

Tramfondle: An answer to the problem we gave you.

Cheap Thought: YES, I HAVE AN ANSWER.

Topdeck: You mean there is an answer? A simple answer?

Tramfondle: To Trams, the Business Case and Scheduling?

Cheap Thought: YES, THERE IS.

Tramfondle: Brilliant!

Topdeck: We're saved!

Cheap Thought: ALTHOUGH I DON'T THINK YOU'RE GOING TO LIKE IT.

Topdeck: That doesn't matter. Tell us.

Cheap Thought: I REALLY DON'T THINK YOU'RE GOING TO LIKE IT.

Tramfondle: Tell us anyway... Please!

Cheap Thought: ALRIGHT. THE ANSWER TO TRAMS, THE BUSINESS CASE AND SCHEDULING IS...

Topdeck: Yes?

Tramfondle: Yes???

Cheap Thought: TWENTY-TWO!

Topdeck: Twenty-two?

Cheap Thought: IT WAS A SIMPLE CALCULATION...

Tramfondle: What do you mean, twenty-two?

Cheap Thought: IT IS THE BEST SOLUTION. THE ONE PEOPLE WANT.

Tramfondle: Wait a minute...

Topdeck: You mean we should keep the bus service that the trams will replace?

Cheap Thought: YES.

Tramfondle: *groans* The taxpayers are going to kill us!

Sunday, 14 February 2010

Snozzberries?

You may be aware that Sky are using Gene Wilder (in Willy Wonka guise) to plug their 'Supertelly' HD offerings. Now I have always found Mel Stuart's 1971 adaptation of Charlie and The Chocolate Factory a little creepy (if not as grim as Tim Burtons') but there's no doubt Pure Imagination has a magical, other-worldly quality to it. As with every iconic song, there are no shortage of folks willing to try and do something with it (Maroon 5 have even had a predictably careful bash) but one that really sticks out is by Californian weirdo-virtuoso Buckethead. His adaptation of Bricusse and Newley's song, characteristically re-monikered 'Wonka In The Slaughter Zone', is both interesting and restrained in equal measure.

Tuesday, 9 February 2010

Top Man

http://www.guardian.co.uk/sport/2010/feb/04/six-nations-scotland-euan-murray-interview

3's A Crowd

What music defines Obama's America? Goodness only knows. Miley Cyrus? I'd like to think that were we living in the Age of Paul (and good grief I wish we were) then the musical quality barometer could be shifted up a few notches, but alas 'twas not to be. But rather than get entrapped further into the sludge of that depressing thought, let's turn our thoughts back to a simpler time. The 80s. Reagan is in power, America is winning (and Russia knows it, defeat having been foreshadowed by Stallone) and the Progmasters of the Universe have embraced AOR in a big, some say cynical, way. The Korg M1 has just been released, and the Japanese techno-magic of MIDI promises to bring with it the next revolution in recorded music. What a wonderful time to be a subscriber to Keyboard Player magazine.

Of course, by 1988 Reagan was on his last Presidential legs, the great ivory ticklers of the 70s started to miss their Moogs and Arista, Geffen et al once again had their heads turned by the louder, more simplistic (ie stupider) and infinitely less good music coming out of the underground scene (for grunge, read punk). Their loss was our loss. For what it is worth, here's 3.

Music, well and truly, by numbers.

Wednesday, 3 February 2010

Blunder Road


Edinburgh, my birthplace and the place I called home until very recently, has made some almighty blunders in its time. And if you didn't bother to click on the link as you were sure it would just take you to the Edinburgh Trams propaganda site, you're wrong. There's no way NOMW is giving that abomination of a scheme the oxygen of publicity, adverse or not. You may not be aware that the 'City Fathers' almost bankrupted the place centuries before trams though, when despite the fact the Firth of Forth is topographically completely unsuitable as a major shipping channel, they spent the equivalent of billions of pounds trying to dredge large parts of it and turn Leith into the main port of a Clyde-beating waterway. Maybe the current lot are just trying to finish what their hapless predecessors started.

For all that though, there's to be no out-stupidifying Dubai. Recession or no recession, Dubai's a place that still likes to do things bigger and better than anyone else (they're-whisper it- building a tram line to complement their grossly over-budget and under-utilised monorail network as I write) and so it should come as no surprise that they've now managed to build a tunnel without telling anyone about it. Not only that, they've forgotten they even did it. Brilliant.

Tuesday, 2 February 2010

Mothers of the World (well, Lincolnshire) Unite!

So, what do you think really upsets the mothers of Lincolnshire; the ongoing, seemingly irreconcilable conflict in Afganistan? The botched global response to natural disasters? The increasing inequality gap between Britain's rich and poor? Of course not, silly- It's people leaving dirty clothes next to the washing basket. This bombshell came from a survey on a website which my favourite local newspaper, the Lincolnshire Echo, cut-and-pasted into their paper today. I think I can say that with confidence as there is no way nos. 5 and 17 on the list would ever have passed a sub editor's desk. Woops.

Oh, and number 49, wonky rug? Wonky rug? No idea.

Friday, 29 January 2010

Back to the well...



Like a boxer who doesn't know when to quit, I've gone back to some more glorious music from David Gilmour, this time from the final show of his 2006 On An Island solo tour. Featuring the late-and truly great-Richard Wright where he belongs (to the left of Big Dave), this version of A Great Day For Freedom is quite possibly the best ever recorded (and I've heard most of them). Featuring the talents of the Baltic Philharmonic Orchestra, this concert took place on the Gdansk Shipyards to mark the anniversary of the Solidarity Trade Union Movement, and is all the better for being the only performance of the song from the tour. Gilmour is a guitarist who never ever sounds off colour, and with the adrenalin of playing underrehearsed (although you'd never tell) coursing through the veins, he takes the solo off into the (ahem) STRATosphere. Lyrically, the song title references an Evening Standard headline from 1990 on the fall of the Berlin Wall, but as always with the Floyd there is a layer of personal meaning in there as well.

Thursday, 28 January 2010

What's not to like?



People often ask me about my musical tastes. Basically, I like -strongly- music that is good and dislike -strongly- music that is bad. This, a professionally-edited 'bootleg' of a 1994 performance of the Division Bell's Poles Apart, is good. But then, if you've listened to it, you already know that. No room for 'subjectivity' at Not On My Watch towers, no sir.

For those who are interested in lyrics, the first verse relates to Syd Barrett, the second Roger Waters, and as it's Floyd I'll leave you to fill in the interpretive blanks for yourself. For those of you interested in music, the guitar tuning for this track is DADGAD.

Wednesday, 27 January 2010

A Revelation

Denzel Washington is my favourite actor. I could talk about him and his films all day (honestly, I could). If you take Dolph 'Missionary Man' Lundgren out of the equation, no one carries off the Bible in one hand, sawn-off shotgun in the other combination better than Denzel. His new film, The Book Of Eli, carries on that fine tradition as we follow what is possibly Hollywood's most overtly Christian hero ever as he journeys west in his quest to take the only existing copy of the Bible to where he believes God wants it to go.

Now of course, it could be argued that, post the mega-successful Narnia and Gibson's Passion, Hollywood has cottoned on to the might of the Christian dollar, and with a tagline like 'Deliver Us', the marketing men aren't exactly hiding the fact. But that doesn't seem to concern the Christian Denzel who co-produced Eli and helped with some Bible-inspired script re-writes. Whether a believer or not, it's a film which has much to commend it (Gary Oldman is sensational in full-on ham mode, and Michael Gambon (another of my personal faves) has a cracking, if somewhat macabre, cameo. I enjoyed it so much I've totally lost track of my commas. Go see.

Wednesday, 20 January 2010

Stinkin' Up The Great Outdoors

Late afternoon in the open air
A human sea made out of mud and hair
Ain't nothing like a festival crowd
There's too many people so we play too loud

Smalls, St Hubbins, Tufnell: Break Like The Wind (1992)

I think Spinal Tap had it right. Music festivals are a nightmare. A urine-soaked, drug-ridden nightmare. And if Roger Waters isn't bringing in his own quad stacks, the sound is as muddy as the field the orc-like masses have to camp in. But I'm being sucked into one, nonetheless. It's drawing me in like a progrock magnet. If the 1990 Monsters Of Rock Festival marked the end of 80s Rock (and it did); and the 1990 Nordoff Robbins Silver Clef Awards concert was maligned as a tribute to the dinosaurs of rock (and it was), then the 2010 inaugural Classic Rock High Voltage Festival, taking place July 24-25 in London's Victoria Park, promises to be just as fantastic as they were. It's the Isle of Wight 1971, with a classic car exhibition. It's going to be hard to resist. Just look who's headlining...

Friday, 15 January 2010

It's uncanny




Avatar eh? What makes you of it? I thought it was alright, but probably the worst film ol' King Of The World's ever popped out (I was pining for True Lies 2). If you compare it to the Abyss (which is kind of similar), it's a no contest. But I'm starting to doubt myself. Was it really just the lazy, uninspired plotting, AWOL editing, drab characterisation and a blink-and-you-already-missed-it opening setting of scene that left me a bit underwhelmed? Or something more?

Ever heard of the uncanny valley?

Sunday, 10 January 2010

Car shopping

Lots to consider when unpacking your stuff into a new house. Should you put On Her Majesty's Secret Service between You Only Live Twice and Diamonds Are Forever, or keep the Connery's together? Do you include the works of Anderson Bruford Wakeman and Howe as part of the wider Yes cannon or keep them seperate?

Lots to consider when buying a car too. Comfort. Economy. Reliability. Kudos. It's important when making big decisions I think to consult older, wiser heads, so I've been mulling over this quote from Clarkson:

Speed is useful. Speed means we can get where we're going quicker, which means we can see more, do more and learn more. Speed makes us cleverer.

Speed also means we can leave work later and get home sooner so it makes us richer, and our families more stable.

Speed means we can have a more varied diet because we can have fresher produce from further afield every day in our local shop. Speed therefore makes us healthier.

Speed means we can expand our horizons. It means we can explore strange new worlds and new civilisations, like Cheshire and Norfolk. And Wales. This gives us a better understanding of the world and its peoples, and that makes us more tolerant. Speed brings peace.

Monday, 4 January 2010

Still So Serious?

http://indexing.blogspot.com/2006/10/tempus-fugit-part-2-elderly_30.html

Sunday, 3 January 2010

Holy... Fright?

Yes, that's right, you've got it. Pretty funny, no? Well if Meatloaf can apply for a 'license to thrill' then I can give good ol' Curd Jurgens a holy fright.

Saturday, 2 January 2010

Why So Serious?

Do you remember much about 2006? Me neither (unless you're a Channel 4 researcher looking for talking heads for a new I Love 2006 show you're commissioning, in which case I can remember lots of things in literally nauseating detail).

I do know that I wrote some possibly interesting, and definitely long, blog posts for my church youth fellowship blog, which no one read. Anyway, in the current climate, it's only appropriate that NOMW engage in some recycling.

http://indexing.blogspot.com/2006/10/tempus-fugit-part-1-hospitals.html

Monday, 28 December 2009

Politics Schmolitics

Politicians. What would we ever do without them, eh? If pontification is an artform (and if it is then I think I should send off an application for funding to the Arts Council immediately - I'm the Tony Hart of pontification) these lads and lasses would get even Watercolour Challenge's Hannah Gordon salivating, and she's a tough woman to please (plus she went to my school - little known fact that). But wait, what's that you say, you haven't warmed to a politician since Lou Carpenter hung up his Erinsborough Mayoral robes for the last time? Well, allow me to introduce you to a politician that, I think you'll agree, we can all admire: step forward John 'J' Neeley Johnson.

This man was an absolute legend. I don't want to get involved in the mirky, labyrinthine world of third-and-fourth party politics in the United States in the mid 19th century, so there will be no discussion here of the merits or otherwise of the nonetheless fabulously-named 'Know-Nothing Party'. Suffice to say, it's an extremely contentious period in American history, the ramifications of which are, arguably, still being keenly felt today - feel free to study it for yourself, although to be honest I've probably read enough on the subject for both of us. No, pah to the politics, I say - JJ sounds like a hoot.

Unfortunately, there's only a tantalizing glimpse of this man available in the public domain, but it's certainly enough to whet the appetite. In case that link didn't work for some reason, or if you simply can't be bothered to click it (credit to you for reading all the way to here if you're that lazy, though), the gist is that he comes across as a bit of a character to say the least. A lovely antidote to today's faceless bureaucrats, and I must say I share his pedanticalness for all things grammatically shoddy (before you say it, smarty pants, that doesn't apply to blog entries). Now, if anyone can tell me if it's his wife whose name was lent to Zabriskie Point (the Floyd connections with which I'm sure you're all aware) then I would be most grateful - not eternally I wouldn't think, but for a few days at least.

Oh, and by the way, while we're on the political theme, did you know that Charles the Bald (numbered Charles II of France and the Holy Roman Emperor, who lived June 13, 823 – October 5 or 6, 877) wasn't actually bald? Maybe he just wanted to be considered 'clean'. The things you learn on NOMW.

Tuesday, 10 November 2009

DCW: Over-punctuating like his life depended on it since 1982

They say that we're living in the Information Age these days. (They? I mean the smart folks). The Knowledge Economy. Knowledge is power. Roger Waters may have asked in 1987's hit-and-miss effort Radio KAOS 'Who Needs Information?', but it seems that we all, like Johnny 5, 'need input', and that that input can make not a lot of people a whole lot of money. While the Big Bad World out there might try and tell us that there is no point in searching for absolute truth, it is certainly encouraging us to fill our mind wheelbarrows full to overflowing with pointless trivia. Television, radio, films, magazines, Internet are all supplying it by the bucketload - the cultural plethora is, truly, a veritable one. Well, fear not dear reader because I'm here to provide you with even more of it here at NOMW.

For those of you who may find yourselves from time to time perusing the vast expanses of pap on cable television's less prestige channels, or failing that ITV's interminable Grandstand-busting Saturday afternoon fare ('Hollywood's Greatest Stuntmasters' anyone?), you may be aware of a programme called 'Ripley's Believe It Or Not' presented by Dean 'Superman' Cain. Well, if you are, then this little column follows much the same principle, but without the 'atmospheric' tracking camera shots of the Cainster in a smoke filled studio, more's the pity. And now, with just a little more ado, let's get to our first 'amazing' story.

Passenger 57. Executive Decision (yes, the one where a top-billed Steven Segal dies in the opening scene - I'm still waiting for my refund Warner Brothers). Airforce One. Con 'put the bunny back in the box' Air. Turbulence. And even (to a lesser extent) Turbulence 2. There can surely be no doubt that some of the finest pieces of sophisticated, thought-provoking Cinéma vérité have emerged out of the dramatic set-up of the airplane in crisis. But what happens when there is no Snipes, Russell, Cage, Liota or even the good ol' Mr President himself to save the day? Step forward the intrepid crew of BA flight 5390. (Actually, that sounds more like a Michael Buerk lead-in for a 999 story. Remember that guy who somehow managed to get a javelin through his neck? And how they'd always try and justify their weekly celebration of all things tragic by including adverts for first aid courses? You weren't fooling no one, Buerky). Those were the days. Anyhow, that's the ado taken care of, so let's get to it.

1990. The Berlin wall has just fallen. Iraq invades Kuwait. Italy plays host to the most boring football tournament ever staged. James 'Buster' Douglas knocks out 'Iron' Mike Tyson in Tokyo. At the Toronto Skydome, Hulk Hogan squares off against the Ultimate Warrior in the 'Ultimate Challenge'. Hibs win the Tennents' Sixes. Anyway, even with all this going on, it was just another June morning for the 81 passengers, 4 cabin crew and 2 flight crew on the BA flight 5390 from Birmingham to Malaga. You've seen the films - there's the lovely old couple (she's scared of flying), the young child playing with the toy plane, the amorous couple, the off-duty cop/naval officer/anti-terrorist officer/fireman/soldier heading back to his young wife and child, and the faceless extras. Good grief, that's some fine scene-setting even if I do say so myself. And now, like the lazy hack that I am, I'll let Wikipedia pick up the story:

At 7:33 AM, the cabin crew had begun to prepare for meal service. The plane had climbed to 17,300 feet, and was moving over Didcot, Oxfordshire. Suddenly, passengers heard a loud bang, and the fuselage quickly filled with condensation. The left windshield, located on the commander's side of the cockpit, had suffered a catastrophic failure. Tim Lancaster (the captain) was jerked out of his seat by the rushing air and blown head first out of the cockpit; however, his knees had snagged onto the flight controls. The door to the flight deck was blown out onto the radio and navigation console, while papers and other debris in the passenger cabin began blowing towards the cockpit. On the flight deck at the time, flight attendant Nigel Ogden quickly latched his hands onto the commander's belt. Susan Price and another male flight attendant began to reassure passengers, secure loose objects, and take up emergency positions.
It was immediately apparent that the aircraft had suffered an explosive decompression, so the copilot began an emergency descent, re-engaged the temporarily disabled autopilot, and broadcast a distress call. Due to the rushing air on the flight deck, Atchison was unable to hear the response from air traffic control. The difficulty in establishing two-way communication indirectly led to a delay in British Airways being informed of the emergency and consequently delayed the implementation of the British Airways Emergency Procedure Information Centre plan.
Ogden, still latched onto Lancaster, had begun to suffer from frostbite, bruising, and exhaustion. He was relieved by the remaining two flight attendants. However, by this time, Lancaster had already shifted an additional 6 to 8 inches out the window. From the flight deck, the flight and cabin crew were able to view his head and torso through the left direct vision window.
The co-pilot eventually received clearance from air traffic control to land in Southampton, while the flight attendants managed to free and hold onto Lancaster's ankles for the remainder of the flight. By 7:55 AM, the aircraft had landed safely on Runway 02 in Southampton Airport. Passengers immediately disembarked from the front and rear stairs, and emergency crews retrieved Lancaster, who incredibly had suffered only minor injuries.

The first-hand account of this incident is incredible, and this one, from the Sydney Morning Herald, has one of my favourite photos ever - in my opinion it sums up the indomitable British spirit better than any amount of pseudo-intellectual sociological musing could ever hope to do. Btw, for those of you who despair over the state of contemporary print journalism, give the SMH a try. They have a tendency to give more column inches to alternative news stories than your average rag, and more importantly can always be relied upon to supply fabulous punnage in their headlines, this story being no exception.

Well, that's all for now. If your appetite for the quirky and inane has been only temporarily satisfied, then please come back here again soon for the next installment. Any positive feedback is gratefully received. Any negative feedback should be considered misguided and, hence, remain suitably undisclosed. Peace out.

Sunday, 18 October 2009

Hungry?


'Political correctness'. Good grief, it's everywhere. Just ask the embattled defenders of the Fourth Estate, the purveyors of quality, objective reportage at the Daily Mail. They'll tell you. Fat controllers who can't be referred to as fat, gnomes with big ears who can't be called 'Big Ears' - the whole world has officially gone mad. Oh for a place free from it; a place where you can leave the requisite 21st century guardedness at the door. A place where you can consume food so rich and artery-clogging that it renders you immobile for about three weeks. A place where you can park your horse and 18-wheel truck in the same 'lot'. Oh for the Big Texan.

You heard it here first (probably because it isn't true) - Tony Christie wasn't looking for 'Sweet Marie' when he asked for directions to Amarillo. He was looking for the place where, at least according to the website (I know, I'm not sure I believe it either), 'entertainment is better known as EATertainment'. Hmm. Anyway, not to worry, their punnage gets a lot better in a minute. The Big Texan isn't just about puns, though - oh no. It's about good ol' fashioned American 'family values' - and in particular the family value that focuses on consuming as much beef as is humanly possible, in the shortest amount of time.

Just having a cursory glance at the menu is enough to send your cholesterol level through the roof. A 60-oz. pitcher of whatever beverage you fancy at 7am? No probs- it's on the breakfast menu. As is a 16-oz. T-Bone steak. For breakfast! Then there's the 'appetizers', including that old family favourite 'fried rattlesnake'. No doubt in response to lessons hard learned, the good folks at the 'Texan are quick to warn that deep fried Kaa doesn't contain too much meat, but rather lots of bones - still, at only the equivalent of about three quid, I'd give it a punt.

This place is a certified wild west theme park, except it's still kind of real - I imagine it'd be like spending time on the set of Back To The Future 3. The on-site motel has parking spaces large enough to accommodate everyone, even if 'your rig is bigger than most' (and I bet most of the rigs are already mighty big), there's a shootin' gallery and a dance barn, and even, fabulously, an adjacent 'horse hotel' where you can park your little pony or noble steed for the night. How cool is that? Very. Wouldn't fancy the return journey, though, especially if I'd just tackled the pièce de résistance of the Big Texan, the king of steaks, the one whose 'robust flavour' has earned it 'the Royal title of 'Sir Loin'' (officially the greatest pun of all time), the patented 72-oz. Big Texan steak.

This gargantuan beast started life no, not as a cynical marketing ploy playing on the uniquely American concept of gluttonous endeavour as personal achievement (you cynic you), but as a homage to a cowboy known only as 'a cowboy' who 'came through the front door bragging that he was so hungry that he could eat the whole cow'. As the anonymous but (I would imagine) highly respected Texas food historian continues:

'Bob (R. J. 'Bob' Lee, the founder of the Big Texan) grinned as he put the first one-pound steak on the grill and the contest was on. When the cowboy finally hollered 'calf-rope' (I'm assuming that's Texan for 'Help me, I can't breathe') he had consumed four and a half pounds of tasty Texas beef. Bob vowed (I imagine solemnly) from that day forward the dinner would be served 'free' to anyone who could complete it in one hour. In those days, the dinner - shrimp cocktail, salad, baked potato, bread and 72-oz. steak- only cost $9.95. Today, challengers pay $72.00 for the experience.'

And what an experience. On accepting this grave challenge, you are led to an individual table on a podium, the timer ticking above your head, where all the other diners can watch your struggle. Kind of like the boy in Matilda, except this time you've asked for it. Of course, you can't leave the table, or have any contact with anyone else - to do so, I imagine, would be considered an insult to the memory of the great cowboy. On completion, not only do you get the usual T-shirt, certificate combo that Harry Ramsden's used to do when you finished their insignificant-by-comparison 'Harry's Challenge', but you also have your name placed onto the 'hall of fame', where it will stand for all time alongside some 8,000 other heroes (out of 42,000 challengers), including 'an 11-year-boy and a 69-year-old grandmother'. If you really want to achieve beef-eating greatness, then the all-time record belongs to Frank Pastore, a former baseball pitcher who ate the lot in nine and a half minutes.

Have a look at the website. You can buy Big Texan merchandise, read all about their very own 'epicurean masterchef' Daniel Lee, and see which celebrities have stumbled across the place, presumably while also trying to find Amarillo (Patrick Swayze and James Earl 'Mufasa' Jones are but two). You can even watch people attempting the challenge on a live webcam! It makes you wonder why on earth George W ever left the Lone Star State. Fantastically, you can also now have one of these behemoths delivered to your door -gluttonous fun for all the family. Doubt it would be allowed though, on health and safety grounds if nothing else. It's political correctness gone mad.

Saturday, 7 March 2009

Everyone's Watching The Watchmen... Who's Watching This Rubbish?

The Watchmen is a film which will have people talking for years. Stylish, intelligent and brutal, it is a fitting portrayal of one of the great works of literature of the 20th century. I'm still not sure to what extent I actually enjoyed watching it, but I am glad that I did. But anyway, Imdb's full of thoughtful, well-written reviews from the sort of thoughtful, eloquent people who appreciate graphic/comic art, it needs not another one from me. If NOMW is about anything, it's not about that, so instead a quick look at some other superhero adaptations, testament to a time not so long ago when Marvel (and, albeit to a lesser extent, DC) handed over full control of their cherished creations to the mercilessly crude marketing machines of Hollywood, resultant in dud after merchandise tie-in and product placement-laden dud.

Someone's kindly posted a great rundown of 15 of the worst superhero movies of all time, so I won't bother going over that ground here. Suffice to say, I can't take issue with too much of what the guy says, although it does pain me to see the wonderful Helen Slater featuring, and to be honest, I think if anything he's not hard enough on Superman IV: The Quest For Peace. Jon Cryer's Lenny Luthor is Jar Jar Binks' more irritating stepbrother, and it's hard to believe that even Golan and Globus thought that Milton Keynes would be suitable as a double for Manhattan. As with all cinematic shockers, there was a mound of unused footage, so much in fact that the wise old sages at Cannon films even considered reusing it in a fifth installment (good old Cannon), and the DVD commentary of the film is well worth a listen.

While the comic book adaptations of today are well constructed, faithful to the source material (and its often obsessive fanbase) and feature the obligatory big budgets and almost rope-free FX, we should spare a thought to remember those who gave so much in the cause of earlier efforts, for, ultimately, so little. Step forward Jack Kirby-fanatic Gary Goddard, the erstwhile director of 1987's 'Star Wars Of The 80s' Masters Of The Universe who filmed the final sequence with some mates with his own money, after Cannon (yes, again) did a runner despite the film lacking a finale. So too, the cast and crew of the ill-fated movie to end all ill-fated movies, The Fantastic Four, a film which may or may not have never been even intended for release. Not that that stopped them pouring their hearts and souls into the thing. I'm sure, even when faced with the slick package of an Ironman, some fans of the genre would have it no other way.

Talk about a silk purse from a sow's ear. Messyrs Goddard, Conti and the incomparable LaFontaine, take a bow.

Tuesday, 3 March 2009

Moore, more power!

There are few things agreed on in NOMW towers. Surprising, I suppose, given only one person has to live in them. But anyway, one is that Roger Moore IS James Bond, and that all others just borrow his tux. Another is that Christopher Walken's 'leading French industrialist', Max Zorin, is the greatest Bond villain of all time. Now, it just so happens that those statements both refer to 1985's installment, A View To A Kill, thereby making it by process of deduction the greatest James Bond film of all time. Now, there is lots to be said about this film, but as I fear any such writings would take on the grim appearance of the sad fanboy's run-through of all the funniest lines ('I'm trying not to think about it', 'there's a fly in his soup', 'I'm an early riser myself', and just about anything Walken says for example) I'll refrain. For now. Instead, another inspired alternative ending, featuring the late and possibly great Geoffrey Keen as Sir Frederick Gray, delivering one of his classic chortles. Sorry for the lack of embedding, I couldn't do it for this for some reason.

http://www.youtube.com/watch?v=x5g8_KequV8

PS: It must be said that this ending is far preferable to the inexplicably awful one tacked on to the final cut by John Glen.

PPS: And for more high-brow fun, check out this bit of spacey hilarity!

http://www.youtube.com/watch?v=GdUHtIyz1j8&feature=related

Monday, 2 March 2009

That's Your Stick Buddy?

Cover versions are ghastly things. This is almost always the case. Whether it's Ronan Keating covering 'If Tomorrow Never Comes', Ronan Keating covering 'Time After Time' or Ronan Keating covering some other turgid ballad, there is nothing of any note added to the original other than a couple of extra layers of insincerity. Or, in the case of Madonna's 'American Pie', something far worse. And of course, if the artist in question actually does fundamentally change the original version, then it's even more pointless. A true hiding to nothing.

Of course, there are exceptions. Some songs seem to lend themselves toward being reinterpreted. Two which immediately spring to mind would be the groundbreaking Cameo funk/R and B classic 'Word Up', which Scots-rock merchants Gun managed to make sound equally as good with crunching guitars and gruff vox (although the less said about the Mel B hatchet job the better);and The Byrds 60s anthem 'Eight Miles High', covered by just about every band in history but most notably by Roxy Music, Golden Earring (they stretched it out to almost 20 minutes) and, in perhaps the most unlikely cover version of all time, AOR prog/poppers 3 (sure to be featuring not for the last time in NOMW), whose power-funk synth interpretation words cannot describe.

Anyway, a point to all of this. Robert Downey Jr, who really should have taken Heath Ledger's oscar this year for Kirk Lazarus/Lincoln Osiris (a comedic interpretation that will be celebrated 100 years from now), is also a surprisingly accomplished singer, as anyone who bought his 2004 solo album The Futurist will be aware. More excitingly to NOMW, he enlisted the production talents of Jonathan Elias, helmsman for Yes' 1991 mess Union (it wasn't his fault). Even better, it seems Mr Downey is himself a big fan of the great band, and so offered his own take on the first part of their 1971 hit (it did feature on the trailer for Tim Burton's Big Fish, so I'd say it qualifies), 'I've Seen All Good People', featuring (in a rarity for a cover) original vocalist Jon Anderson backing. And what do you know, it's even pretty good. More importantly, if this gets even one person to check out some real Yes, it'll have been worth posting.

Saturday, 28 February 2009

Nobody Loves Raymond

Is there a more underrated era in the storied history of Genesis than that of Ray Wilson? True, the pairing of the gruff-voiced Scot, known for growling all over jeans adverts, with the Charterhouse boys known for their love of pullovers was always a curious one, but somehow, they captured musical lightning in a bottle with their debut, Calling All Stations (in contrast, the last Phil Collins-led effort We Can't Dance was more like light drizzle in a bottle).

Unfortunately, a combination of a completely ignorant US fanbase (most of whom had never heard of Peter Gabriel, let alone Anthony Phillips, and simply could not fathom a lineup not featuring Collins) alongside Banks and Rutherford's steadfast refusal to be seen interacting with their new frontman in any way other than as somewhat distrusting and disapproving guardians (check out the video to Not About Us) if you want evidence) meant for a relatively disappointing commercial return, and before too long the old boys' insecurities about the whole project (along with Wilson's own concern as to whether he belonged in a band he had loved growing up, but who he found liked to spend their time backstage playing table tennis and discussing their stock portfolios) got the better of them and the new Genesis was no more. Europe, to its credit, responded far more warmly to CAS, the album going multi platinum and the tour generally well received. Thankfully, two of the first shows were filmed and can now stand as a fitting testament to all that was good (and all not so) about this curious amalgamation.

Friday, 27 February 2009

The Revenge Of Travers

Stallone vs Lithgow. Surely, a match made somewhere between heaven and hell (earth?). NOMW's favourite action star pitted against uncle B.Z. himself. For those familiar with Renny Harlin's finest hour, a wonderful alternative ending, courtesy of the good folks at Youtube. And to anyone who knows which other Stallone vehicle features in this clip, give yourself a big pat on the back or a similar self-congratulatory gesture.

Thursday, 26 February 2009

The Top Whatever - The Last Bastion Of The Desperate Journalist

It can't be easy being a a magazine journalist. Trying to fill all those pages, yet limited by the particular scope of your publication (thank goodness for the far-ranging scope of NOMW). Hence, since time immemorial the Q's, Classic Rock's, Empire's and Narrowboat Magazine's of this world have turned to the wonderful space-filling realm of the list in order to do just that. And in so doing, so the theory goes, provoking the sort of heated discussion amongst interested parties that will ensure readership remains high. Of course, most of these top-whatevers are absolutely ridiculous (a case in point - this month's GQ rundown on the top 100 most powerful people. George Osbourne is NUMBER SIX. Enough said).

Anyway, it may smack (or at least lightly brush) of hypocrisy but, despite being not even one post old, NOMW is going down the list route. But before you say it, it's been borne out of extreme provocation, in the form of IGN.com's outrageous 'Top 10 prog guitarists'. Now, this touches on topics extremely close to the heart, so I cannot just let it slide. For those who missed it, this was their attempt. I mean, Greg Lake? Talk about a Lucky Man.

01. Steve Howe
02. Robert Fripp
03. Martin Barre
04. Alex Lifeson
05. Greg Lake
06. Peter Banks
07. Jan Akkerman
08. John Pretucci
09. David Gilmour
10. Steve Hackett

Now, the NOMW definitive top ten. Criteria not open to discussion or debate, the list is final.

01. David Gilmour
02. Steve Hackett
03. Allan Holdsworth
04. Steve Howe
05. Robert Fripp
06. Frank Zappa
07. Adrian Belew
08. John Petrucci
09. Alex Lifeson
10. Trevor Rabin

Look out for more non-desperate lists, coming soon to a blog near you (ie this one).

 
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